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(112) LIVE from the Kennedy Center: Helgi Tomasson, Artistic Director of San Francisco Ballet

This week’s episode of ‘Conversations On Dance’ was recorded live at the Kennedy Center in Washington, DC. Our guest is former New York City Ballet principal and Artistic Director of the San Francisco Ballet, Helgi Tomasson. The San Francisco Ballet is performing at the Kennedy Center this week, from October 23 – 28, 2018. They Read More

Daniel Applebaum - Conversations on Dance - Photo by Michael Kirby Smith

(109) Daniel Applebaum, dancer with the New York City Ballet

This week on Conversations On Dance, we talk to Daniel Applebaum, dancer with the New York City Ballet. Daniel joined the company in 2005, and quickly became one of the most depended upon dancers, regularly dancing triple bills, morphing into  varied choreographic styles, and keeping dozens of ballets ready to go in his mind and Read More

Margaret Tracey - Boston Ballet School - Conversations on Dance

(104) Margaret Tracey, Director of Boston Ballet School

Summer is almost over and many of our listeners are getting ready to head back to school. To help ease us into that transition, we sat down with the director of the Boston Ballet School, Margaret Tracey. Margaret had an illustrious 16 year career as a principal at the New York City Ballet, dancing a Read More

Roman Mejia - Conversations on Dance From Vail Dance Festival

(101) Roman Mejia LIVE From Vail Dance Festival

Roman Mejia is one of the newest members of the New York City Ballet, having burst onto the scene at the Vail Dance Festival fresh out of the School of American Ballet. In just his first year at the company, he’s garnered critical acclaim for numerous solo roles, and is quickly gathering momentum as a Read More

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(67) Live From the Kennedy Center: Damian Woetzel & Tiler Peck on Jerome Robbins

Welcome to Live From the Kennedy Center: Damian Woetzel & Tiler Peck on Jerome Robbins. Two weeks ago we were in Washington, DC to cover a busy weekend of ballet at the Kennedy Center.  We arrived on Friday night just in time to watch an exceptional performance entitled “DEMO: Jerome Robbins- An American Dance Genius.”  These Read More

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(59) Susan Pilarre, Esteemed Teacher at the School of American Ballet

This week we are joined by Susan Pilarre, esteemed teacher at the School of American Ballet, repetiteur for the Balanchine Trust, and former New York City Ballet soloist. Suzy, as her students, friends and family call her, joined the New York City Ballet under George Balanchine’s direction at the age of 15. She spent 16 years Read More

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(58) Zoe Zien, Repetiteur and Former Miami City Ballet Dancer

This week we are joined by Zoe Zien, repetiteur and former Miami City Ballet dancer.  Zoe was born and raised in New York City and received her training from the School of American Ballet.  After graduating, Zoe joined the Miami City Ballet in 2003.  Zoe remained in the company until her retirement from the stage Read More

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(36) Peter Boal, Artistic Director of Pacific Northwest Ballet

Today we are joined by Peter Boal, Artistic Director of Pacific Northwest Ballet.  After completing his training at the School of American Ballet, Peter became a member of the New York City Ballet in 1983 and was promoted in Principal in 1989. While still dancing with the companu dancing, from 1997-2005 Mr. Boal also served Read More

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(33) Dance Historian Doug Fullington on ‘Le Baiser de la Fée’ or ‘The Fairy’s Kiss’

This week happy to welcome back Doug Fullington, assistant to the artistic director at Pacific Northwest Ballet and the company’s education program’s manager. Mr. Fullington is a lauded dance historian, capable of reading Stepanov notation, a classical ballet notation system developed in Russia. He’s contributed to the reconstruction of many 19th century works, including ‘The Read More

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(30) Alastair Macaulay, NYT Chief Dance Critic on Balanchine’s ‘Serenade’

Today we have the distinct pleasure of welcoming New York Times Chief Dance Critic, Alastair Macaulay. Alastair has been the Chief Dance critic with the Times since 2007.  Before that time, he worked as the Chief Theater Critic of the Financial Times in London, was the Chief Dance Critic for The Literary Supplement, the founding editor of Read More